Does Your Dressage Gear Actually Matter? A Straight Answer on Bits, Nosebands and more

brett parbery dressage training Aug 12, 2026
Brett Parbery pats a bay horse at the end of a dressage test, walking on a long rein.

By Brett Parbery — World Equestrian Games competitor, Performance Riders co-founder 

Quick Version: Gear does not make a horse light, soft or connected. Gear exists to do one job: keep a clear, honest conversation open between your aids and your horse's posture. Get the connection right first, choose equipment that supports it rather than masks a problem, and most of the "what bit should I buy" questions answer themselves.


I get asked about gear more than almost anything else. What noseband, what bit, spurs or no spurs, are draw reins evil, and so on. It is one of the most searched, most argued-about corners of dressage, and I understand why. Kit is something you can buy today. Connection is something you have to build. So the tack shop feels like the faster fix.

Here is the honest version: your gear is not your training. It cannot create lightness, because lightness is not a feeling in your hand. It is a state of balance and impulsion in the horse, the product of a horse that yields to the contact and then draws forward into it. Gear can protect that conversation or it can muddy it. That is the whole game. Once you see equipment as a servant of the connection rather than a substitute for it, you stop chasing the magic bit and start asking better questions.

What is dressage gear actually for?

The purpose of every piece of tack on a dressage horse is to let your aids reach the horse's body clearly and consistently. That is it. 

Think of it like the pedals and steering in a car. A good set of controls does not make you a better driver, but a sloppy, disconnected set of pedals will hide what you are actually doing and slow every response down. When the wiring is loose, the message arrives late and blurry, and both you and the horse start guessing. When it is direct, you get an honest answer to every question, and honest answers are what let you train.

So before you shop, get clear on this: you are not buying lightness or roundness. Any piece of gear that buys you a "better" picture without a clearer conversation is borrowing against your training, and that debt always comes due at some point in the training.

Why does bridle and bit fit matter so much?

A bridle that sits loose lets the bit slide and rattle around, and that movement puts a delay and a vagueness into everything you do. You ask, the bit shifts, and only then does the horse feel it. That lag is the enemy of good contact.

The principle I want you to hold is "snug, not tight." A browband and crownpiece that sit close, a bit height that brings a soft wrinkle to the corner of the mouth, a noseband fitted like a belt rather than a clamp. None of that restricts the horse. It stabilises the conversation.

KEEP IN MIND: comfort and clarity are the same goal here, not competing ones. A horse that is comfortable in its bridle can accept the contact. A horse fighting an ill-fitting one will invent evasions, and then you are training the evasion instead of the horse.

Do nosebands help or just hide problems?

This is the fairest criticism of gear, so let me meet it head on. A noseband can absolutely be used to strap a problem shut and pretend it is solved. But used well, it does something more useful: it removes one variable so you can work on the real one.

When a horse opens its mouth or crosses its jaw, it is looking for a way out of the contact. You have two honest choices. Leave the mouth open and you can see the evasion clearly, but you also risk it hardening into a habit. Stabilise the mouth with a correctly fitted noseband and the evasion loses its exit, which frees you to address why the horse wanted to escape in the first place, usually a posture or connection issue further back in the body.

What about bits — is there a "kindest" one?

Riders want a ranking, kindest to harshest, and it does not exist in the way people hope. Kindness lives in the hand far more than in the bit. A soft bit in a busy, grabby hand is not kind, and a plain bit in a quiet, educated hand is one of the kindest things you can offer a horse in terms of the contact.

My general starting point is deliberately boring: a simple loose-ring single-jointed snaffle, then adjust based on the horse in front of you rather than anything you read online. A loose ring gives a little play and a softer, more forgiving feel. A fixed ring gives you more direct, immediate contact but asks for a more accurate, steadier hand to go with it. And the "double joint is always gentler" idea is not a rule. For some tongue-sensitive horses a single joint sits more comfortably. The horse's reactions are your data. 

Are spurs and draw reins cruel, or misunderstood?

Both get a bad name, and both are really conversations about clarity versus nagging.

On spurs, the counter-intuitive truth is that a clearer, sharper aid used rarely is kinder than a blunt one used constantly (which we see a lot). A horse that has learned to ignore a dull, ever-present spur is being ridden badly and constantly nagged. The aim is an aid the horse respects the instant it arrives, so it almost never needs to arrive. The spur informs, it does not punish, and the moment it becomes about pain rather than a clear signal, you have lost the plot and the horse's trust with it.

Draw reins are the most misunderstood tool in the sport. The word "draw" is the clue. Used correctly, set long with genuine slack so the horse can find the posture itself, they invite the horse to draw forward into the connection. Used to crank a head down and hold it there, they teach the exact opposite of what dressage is for, and they will damage the very thing you are trying to build. A tool is not moral or immoral. The rider behind it is.

Does expensive gear make a difference?

Rarely in the way the marketing suggests. Anatomical bridles can genuinely relieve poll pressure for some horses, and a saddle that fits and gets checked around twice a year matters enormously for both of you. Those are worth money. But a premium price tag does not buy connection, and a wall of specialist bits will not fix a training hole. Trial before you buy where you can, judge by the horse's response rather than the label, and spend on fit and on your own education long before you spend on gadgets.

Bring it back to the training

If you take one thing from all of this: sort the basic training issues, and the gear questions get less relevant. A horse that yields and draws into an honest contact does not need much convincing and does not need much kit. The equipment is there to keep that conversation clean, not to have the conversation for you.

Here are three things you can do this week without buying anything.

  • First, check your bridle fit honestly: one soft wrinkle at the corner, noseband snug like a belt, nothing flapping.
  • Second, before you reach for a stronger bit or spur, ask whether the issue is really in the mouth or the sides, or whether it started in the posture. Fix the cause, not the symptom.
  • Third, if you use spurs, notice how often you are actually using them. If the answer is "constantly," your horse has stopped listening, and the fix is a clearer aid used less, not a bigger one used more.

Those are starter moves. The tailored version, the exact bit, fit and aid plan for your specific horse's conformation, mouth and way of going, is the kind of thing we work through rider by rider inside the Gold Program, because the right answer really does depend on the horse in front of you.

Frequently asked questions

Does the right bit make a horse lighter? No. Lightness is balance and impulsion produced by correct training, not a sensation created by equipment. A bit can keep the contact clear so lightness can develop, but it cannot manufacture it. If a bit change makes a horse "lighter" overnight, it is usually backing off the contact rather than truly carrying itself.

How tight should a dressage noseband be? Snug like a belt, not a clamp. It should stabilise the bit and discourage the mouth from opening while leaving the horse comfortable and able to accept the contact. If it is leaving marks or the horse cannot soften its jaw, it is too tight and is now causing a problem rather than solving one.

Is a loose-ring or fixed-ring snaffle better? Neither is universally better. A loose ring offers more play and a softer, more forgiving feel. A fixed ring, such as an eggbutt, gives more direct contact and suits a rider with a steady, accurate hand. Start simple and let the horse's reactions guide any change.

Are single or double-jointed bits kinder? It depends on the horse. Double joints are often assumed to be gentler, but they can create more tongue pressure, while a single joint can sit more comfortably for a tongue-sensitive horse. Kindness comes mostly from the rider's hand, not the number of joints.

Are draw reins bad for horses? Not inherently. Used incorrectly to force a head down and hold it, they are harmful and teach the horse to curl away from the contact. Used correctly, set long with slack so the horse draws forward into the connection itself, they can help a horse discover correct posture. The tool is neutral; the hands are the decider.

Should I use spurs on my dressage horse? If they make your aid clearer, not louder. The goal is a precise aid the horse respects so it is rarely needed. A spur applied constantly (even if accidentally which is super common) nags the horse into ignoring you, which is the opposite of what you want. If you are using your spur every stride, the answer is a clearer aid, not a stronger one.

How often should I have my saddle checked? Around twice a year is a sensible baseline for most horses, and more often for young or changing horses whose shape is developing. A saddle that fits protects your position and the horse's comfort, both of which directly affect the quality of your connection.

Does more expensive gear train the horse better? No. Fit and correct use matter far more than price. Spend on things that genuinely affect comfort and clarity, like a well-fitted saddle and bridle, and invest in your own training before you invest in gadgets. No piece of kit replaces correct riding.

About Brett Parbery

Brett Parbery is a World Equestrian Games competitor and one of Australia's most respected dressage riders and coaches. He is co-founder of Performance Riders and the architect of the training system taught inside the Gold Program, where he coaches riders from young-horse level through to Grand Prix. 

Want the version built for your horse rather than a generic rulebook? This is exactly the kind of thinking we work through together inside the Performance Riders Gold Program, where you get the coaching, the community and the tailored plan to go with it.